Mr Security: patrolling public spaces

Mr Security is a brilliant piece of performance art exploring with seriousness and humor the fast encroaching surveillance society growing in our midst and in our souls. The product of their work consists in realistically crafted PDF security marketing material (in German and English), in which they describes the team's security performances, which consist in watching public spaces and documenting the reactions to it.

A very telling example is the very short surveillance of the street around the American Embassy in Berlin. After taking a few pictures of the street a few police officers arrive. The dialog is noted as:

POLICE OFFICER 1
Excuse me, please put your camera away. Hello young man, did you hear me?
POLICE OFFICER 2
Hello. Do you have some identification?
MISTER SECURITY
Yes!
PO 1
Why are you taking pictures of us here?
MS
I'm observing
PO 1
Who?
MS
The street.
PO 1
Why?
MS
For Security.
PO 1
Oh!? Where are you from?
MS
Private security service.
PO 1
Where are you from? Your badge doesn’t help us at all. Where are you from?
MS
What do you mean, where am I from?
PO 1
Well, where from? A security service? Who?
MS
Here, Mister Security!
PO 2
Young man, please take your hands out of your pockets! I feel happier that way. What security company do you work for?
MS
Mister Security, private security service!
PO 2
Yes, and your area of operation is the American embassy, or what?
MS
Private security reinforcement.
PO 2
Oh!
PO 1
For what? For who?
MS
For public safety.
PO 2
Who hired you?
MS
The public itself!
PO 1
Oh! Let’s get this straight, it’s not entirely clear what you’re saying here. Let me tell you what I think. I don’t buy this private security service story – look at your shoes. They look like my last pair of work shoes, to be honest. I don’t believe you’d be dressed like that if you were working for the public.
MS
There’s not that much money in the private sector anymore!
PO 1
Well, I’d have thought your employer would provide you with what you need.
MS
I have to see to my clothes myself.
PO 1
No, really, this is not okay!... What’s on your film? What kind of a camera is that?
MS
It’s not switched on. It’s a digital camera, but as you can see, it’s not turned on, look – nothing!
PO 1
Okay! Well I do want to get clearance here. We’ll have to inform the sector. And I’m going to ask you to wait so that we can be sure about your identity. You can stand under the shelter here, that way you’ll stay dry. This’ll take a few minutes.
PO 2
Are you a one-man business?
MS
Well, it’s not that big yet – but I’m trying to grow.
PO 2
How did you get this commission and who gave it to you? What assignment are you working on?
MS
I am not at liberty to say!
PO 2
Oh, you’re not at liberty to say?!
MS
I think it’d be a good thing if there were more surveillance.
PO 2
You do?
MS
You need reinforcements here. It’s not enough that you’re here with just three people on this side.
PO 2
Oh! And where do you see the security problem?
MS
Yes, well you could have twenty well-prepared guys come and run right past you here!
PO 2
Right, and what do you want to do about that, if I may ask? Perhaps we could exchange some ideas?
MS
Yes, that’s exactly the issue. We’re working for several embassies right now. We’re revising the security concept, which we’ll then introduce personally.
PO 2
Right! Great! And the private sector will deal with it then?
MS
Exactly! It’s cheap and effective!

You can read about the continuation of this conversation, and others involving a number of different actors (including anti-fascist demonstrators, for example) in their PDF.

Mr Security presented his work in detail at the 26th Chaos Computer Congress "Here be Dragons" in Berlin on 27 December 2009. There he revealed how the camera's sound had in fact continued to function during the whole conversation. What does not appear in this PDF is his later experience going to the US, where he received a stipend at a New York art institute. On appearance of the FBI to the studio he was promptly ejected by his artist colleagues who clearly lacked the courage (see my recent article on "After Virtue") to support him. Not that surprising perhaps given the extraordinary high amount of people in US jails, with 3.2% under direct police surveillance at any one time.

Can one still have a democracy in such an atmosphere of fear? If yes, then for how long?

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