Friday Mar 28, 2008

Experimenting with New Ink

Experimenting with New Ink

Once, when I was 7 or 8, I received two lessons from a master Persian calligrapher, a Mr. Foradi, in Tehran.

Mr. Foradi used to be on contract at my fathers' advertising and design firm. In the first lesson, he taught me how to hold the pen, how to ink its tip, and how to cushion the thin calligraphy paper. He then asked me to write, 100 times in a neat row: "A Man's Virtue is Far Better than His Post and Wealth"—a piece from a 1000 year old Persian poem.

  ادب مرد به ز دولت اوست. 

It is hard to find expert Persian calligraphers and the right equipment and training in the U.S. 

My father bought me the Persian calligraphy pen shown in this photo from The Persian Calligraphy Institute in Tehran, Iran, in August of 2006. 

I used the pen and the special ink, which my father had also purchased for me, to write "Traditional Music" on a piece of printer paper. (I should say here that I didn't think much of Persian traditional music when I first arrived in the U.S. as a teenager. Now, I have learned to appreciate enough of its subtleties to enjoy it.) 

Once, when I was 7 or 8, I received two lessons from a master Persian calligrapher, a Mr. Foradi, in Tehran. Mr. Foradi used to be on contract at my fathers' advertising and design firm. In the first lesson, he taught me how to hold the pen, how to cushion the paper and asked me to write, 100 times, that "A Man's Virtue is Far Better than His Post"—a piece from a 1000 year old Persian poem.

 

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